Where The Pitt worked best was in the contrast between it’s two protagonists, the cheeky psychic Timmy and his half brother the hulking humourless Pitt. Where the The Darkness/Pitt works is by turning Timmy into the peanut gallery and let the contrast increase between the dour Pitt and the cocky Ennis-created-and-still enthused Jackie Estrada who just can’t take this chain-laden beast seriously, even when eviscerated bodies are raining down.
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